Chinese Western Cinema: Noumenal Value and Developmental Dynamics
DOI: 10.23977/jsoce.2025.070209 | Downloads: 17 | Views: 423
Author(s)
Jingjing Li 1
Affiliation(s)
1 Xiamen University of Technology, Xiamen, Fujian, 361000, China
Corresponding Author
Jingjing LiABSTRACT
Chinese western films certainly have their own artistic purposes and origins, criticism and art research, but also there is no lack of different levels, different styles of film creation and rich accumulation of works. However, in the contemporary context, especially the penetration and embedment of digital technology and new media art into film and television art, it has a wide impact on the development of contemporary film. It is obviously important for Chinese western films to find the "convergence point" in inheritance and innovation, to find opportunities to highlight their own academic value, and to Orient themselves. This article from the "emotional painting", "emotional boundary" and "style shaping" three aspects to explain and deepen our understanding of western films and thinking.
KEYWORDS
Western film ontology, academic value, positive developmentCITE THIS PAPER
Jingjing Li, Chinese Western Cinema: Noumenal Value and Developmental Dynamics. Journal of Sociology and Ethnology (2025) Vol. 7: 62-70. DOI: http://dx.doi.org/10.23977/jsoce.2025.070209.
REFERENCES
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