A Study on the Changes of Music Scores of Korean Ancestral Temple Sacrificial Music
DOI: 10.23977/jsoce.2022.040216 | Downloads: 8 | Views: 678
Author(s)
Ma Lili 1
Affiliation(s)
1 School of Music of Pingdingshan University, Henan Province, China
Corresponding Author
Ma LiliABSTRACT
The sacrificial rites of the ancestral temple have been regarded as the highest rites of the country since the Korean period. The instrumental music, songs and dances played in the sacrificial rites of the ancestral temple are the sacrificial rites of the ancestral temple. The evolution of ancestral temple sacrificial music in Korea still remains in the music scores of various times. Dingdaye and dingdaye created in the Shizong period have been changing since they were designated as ancestral temple sacrificial music in the Shizu period. Their evolution process is recorded in the music scores of Shizong record, Shizu record, Da Le Hou spectrum, folk music source spectrum, newly compiled music score of Li Wangzhi Yayue department, Korean music episode 11 baotaiping / dingdaye, and ancestral temple sacrificial music. Through the analysis of music scores recorded in different periods, this paper has an insight into the evolution process of sacrificial rites and music in the ancestral temple.
KEYWORDS
Ancestral temple sacrificial rites and music, True records of shizong, Music score of li wangzhi's elegant music departmentCITE THIS PAPER
Ma Lili. A Study on the Changes of Music Scores of Korean Ancestral Temple Sacrificial Music. Journal of Sociology and Ethnology (2022) Vol. 4: 75-80. DOI: http://dx.doi.org/10.23977/jsoce.2022.040216.
REFERENCES
[1]Jin Qi's book, Korean music episode 11: peace / great cause Seoul: National Orchestra, 1973, 10-14
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