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On the Cultural Connotation of Chinese Urban Folk Songs

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DOI: 10.23977/jsoce.2022.040502 | Downloads: 5 | Views: 671

Author(s)

Yulin Yan 1

Affiliation(s)

1 Citi University of Mongolia, Ulaanbaatar, 999097, Mongolia

Corresponding Author

Yulin Yan

ABSTRACT

In recent years, a new artistic style-city folk songs has emerged in the history of the development of Chinese pop music. The most outstanding masterpiece is Chengdu, which Zhao Lei sang in 2017. It was quickly sought after by the public with its beautiful melody and catchy lyrics. Chengdu, the important place chosen by the folk songs, has become a "paradise" that many people yearn for, and Yulin Road and bistro involved in the lyrics have also attracted public attention. It can be said that urban folk songs have built the city image and spread the city culture to a certain extent.

KEYWORDS

Folk songs, Urban folk songs, Urban culture, Image construction

CITE THIS PAPER

Yulin Yan, On the Cultural Connotation of Chinese Urban Folk Songs. Journal of Sociology and Ethnology (2022) Vol. 4: 5-7. DOI: http://dx.doi.org/10.23977/jsoce.2022.040502.

REFERENCES

[1] Kevin Lynch, Fang Yiping, He Xiaojun. The latest revised version of urban image, 2nd edition [M]. Beijing: Huaxia Publishing House, 2017.
[2] Chaoyang. Adorno's Modern Significance of "On Pop Music" [J]. Music Creation, 2015, (07):182-183.

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