On the Cultural Connotation of Chinese Urban Folk Songs
DOI: 10.23977/jsoce.2022.040502 | Downloads: 5 | Views: 671
Author(s)
Yulin Yan 1
Affiliation(s)
1 Citi University of Mongolia, Ulaanbaatar, 999097, Mongolia
Corresponding Author
Yulin YanABSTRACT
In recent years, a new artistic style-city folk songs has emerged in the history of the development of Chinese pop music. The most outstanding masterpiece is Chengdu, which Zhao Lei sang in 2017. It was quickly sought after by the public with its beautiful melody and catchy lyrics. Chengdu, the important place chosen by the folk songs, has become a "paradise" that many people yearn for, and Yulin Road and bistro involved in the lyrics have also attracted public attention. It can be said that urban folk songs have built the city image and spread the city culture to a certain extent.
KEYWORDS
Folk songs, Urban folk songs, Urban culture, Image constructionCITE THIS PAPER
Yulin Yan, On the Cultural Connotation of Chinese Urban Folk Songs. Journal of Sociology and Ethnology (2022) Vol. 4: 5-7. DOI: http://dx.doi.org/10.23977/jsoce.2022.040502.
REFERENCES
[1] Kevin Lynch, Fang Yiping, He Xiaojun. The latest revised version of urban image, 2nd edition [M]. Beijing: Huaxia Publishing House, 2017.
[2] Chaoyang. Adorno's Modern Significance of "On Pop Music" [J]. Music Creation, 2015, (07):182-183.
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