Author(s)

Wang Peng ¹, Zhang Ke ¹

Affiliation(s)

¹ Nanjing University of Aeronautics and Astronautics, Nanjing, Jiangsu, 210016, China

Corresponding Author

Wang Peng

ABSTRACT

The art of calligraphy is an excellent traditional Chinese culture, and promoting and developing the art of calligraphy is an important way to uphold the Chinese cultural position, pass on the Chinese cultural genes, and show the Chinese aesthetic style. The "yin" and "yang" in calligraphy is connected to the yin and yang of all things in nature. The dialectical thought of the Chinese philosophy of "yin" and "yang" is complemented by the framing of the art of calligraphy's own artistic laws, and its philosophy is always present throughout the development of the art of calligraphy, reflecting the organic unity of the cultural, artistic, and philosophical aspects of Chinese calligraphy.

KEYWORDS

Chinese Calligraphy, "Tao", Philosophical Thought

CITE THIS PAPER

Wang Peng, Zhang Ke, Analysis of the Philosophical Thought of "Yin" and "Yang" in the Art of Chinese Calligraphy. Journal of Sociology and Ethnology (2022) Vol. 4: 58-61. DOI: http://dx.doi.org/10.23977/jsoce.2022.040910.

REFERENCES

[1] Huang Jian. Selected Essays on Calligraphy through the Ages [M]. Shanghai Calligraphy and Painting Publishing House.1979.
[2] Bao Shichen. Yi Zhou Shuang Ji [M]. Zhejiang People's Fine Arts Publishing House.2017.
[3] Wang Bomin, Ren Daobin, Hu Xiaowei. Shu Xue Ji Cheng [M]. Hebei Fine Arts Publishing House, 2002.
[4] Xiang Mu. Shu Fa Ya Yan [M]. Zhejiang People's Fine Arts Publishing House, 2012.
[5] Tian Daihua. Huang Di Nei Jing Su Wen [M]. People's Health Publishing House, 2017.
[6] Chen Si. Shu Yuan Jing Hua [M]. Beijing Book Publishing House, 2003.

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