Author(s)

Zhou Guanzhong ¹

Affiliation(s)

¹ Beijing Union University, Beijing, 100101, China

Corresponding Author

Zhou Guanzhong

ABSTRACT

The Summer Palace is the last large-scale royal landscape garden built by feudal society in China, and its architectural color painting art is world-famous. At present, the academic circles focus on protection and restoration, painting materials, techniques and case studies, but there is not much analysis on the artistic level. Based on the field investigation and literature review of the Summer Palace, this paper analyzes the style of the architectural color paintings in the garden, sums up the themes and functions of the architectural color paintings, and then digs up the artistic value of the architectural color paintings in the Summer Palace and promotes the spread of traditional culture in China.

KEYWORDS

Summer Palace; Architectural color painting; Function; Classification

CITE THIS PAPER

Zhou Guanzhong, Analysis on the Art of Architectural Color Painting in Summer Palace. Landscape and Urban Horticulture (2023) Vol. 5: 1-7. DOI: http://dx.doi.org/10.23977/lsuh.2023.050101.

REFERENCES

[1] Sun Dazhang. China Ancient Architecture Color Painting [M]. Beijing: China Construction Industry Press, April 2006.
[2] Zhu Ling. Research on Northern Royal Garden Architecture Color Painting in the Early and Middle Qing Dynasty [D]. North china university of technology, 2012.
[3] Long Chuyi. The art research of official Liang Fang and Xi Cai paintings in Qing Dynasty [D]. Hunan University of Technology, 2015.
[4] Zou Ming. On the social function of Su-style color painting in the public space of the Summer Palace [J]. Popular Literature and Art, 2018, (07):123.
[5] Xu Gengyang, Wang Bingzhang. On the artistic function of colored paintings of Huizhou ancient dwellings [J]. Journal of Anhui Institute of Architecture and Technology (Natural Science Edition), 2006, (01):45-47.

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