The Transmutation of "Cinderella" from the Feminism Perspective
DOI: 10.23977/jsoce.2023.050201 | Downloads: 23 | Views: 479
Author(s)
Zixuan Wang 1
Affiliation(s)
1 Shanghai Film Academy, Shanghai University, Shanghai, 200444, China
Corresponding Author
Zixuan WangABSTRACT
The story of "Cinderella" in the "Grimm's Fairy Tales" has been extensively popularized, featuring characters with a lasting and profound impact, while numerous live-action adaptations have emerged over recent years. In this paper, the feminism perspective of the "Cinderella" fairy tale and its film adaptation will be taken into account to explore the evolution of the prescribed female image conveyed by the ideology of patriarchal culture to the new female image of pursuing self-happiness after the awakening of the independent and equal self-consciousness of females, as well as the reflected cultural characteristics.
KEYWORDS
"Cinderella"; Feminism; Image TransmutationCITE THIS PAPER
Zixuan Wang, The Transmutation of "Cinderella" from the Feminism Perspective. Journal of Sociology and Ethnology (2023) Vol. 5: 1-7. DOI: http://dx.doi.org/10.23977/jsoce.2023.050201.
REFERENCES
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[2] Jacob Green. & William Green. Grimm's Fairy Tales [Z]. Translated by Yang Wuneng, Yang Yue. Nanjing: Yilin Publishing House, 1993.
[3] Zhu Shu. Females Gazed at in the Visual Spectacle of the Film "Cinderella" [J]. Sichuan Theatre, 2015(12): 129-132.
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