Author(s)

Gao Xinlin

Corresponding Author

Gao Xinlin

ABSTRACT

the Development of Minority Films is Always Inseparable from the Top-Level Design of the Country. Minority Films Are “Countries” in Their Own Right. as the Founding of the People's Republic of China, Ethnic Minority Films Have Been Incorporated into the Country as an Art Form of National Propaganda Policy. the Most Advanced Design is Given High Attention. the Emergence of “Chinese Ethnic Minority Project” Indicates That the Continued Preservation of Ethnic Minority Films Has Become a National Ideology, and the Support of Ethnic Minority Theme Films Has Risen to a Higher Level. But This is the Early Stage. the Detailed Design Includes: a Small Number of Film Investment and Financial Strategies, Public Welfare and Upgrading Version, as Well as the International Version of High-Quality Film “Three Boards”. the Design Category Includes the Construction of Industrial Clusters, the Cultivation of Minority Art Talents and Many Other Aspects.

KEYWORDS

Minority Film, Top-Level Design, Historical Origin, Conception