Author(s)

Xiaomiao Tian

Corresponding Author

Xiaomiao Tian

ABSTRACT

Chinese traditional philosophy is extensive and profound, including taoism, buddhism and confucianism, which have had a profound impact on all aspects of chinese society, including painting. In the multicultural context, the beauty of artistic conception, as an aesthetic thought, is rooted in chinese ancient meticulous flower-and-bird painting and has been inherited and developed in contemporary flower-and-bird painting works. In the long course of its history, all the masters of Chinese painting in the past dynasties have their own features and changes. They seek their origins, from style to technique, and are intrinsically linked with traditional Chinese philosophy. In particular, the Chinese taoist philosophy emphasizes letting nature take its course, not violating providence and living quietly. This kind of thought is embodied in Chinese contemporary fine brushwork flower-and-bird painting, which is expressed in a kind of quiet atmosphere conveyed by strong color language. At present, with the strong national strength and the enhancement of national self-confidence, the contemporary fine brushwork flower-and-bird painting also begins to return to the tradition in the form of fine brushwork ink painting, which shows that the great development of chinese flower-and-bird painting can only be ushered in if the chinese flower-and-bird painting is searched from the deep background of national culture.

KEYWORDS

Traditional Philosophy, Meticulous Flower and Bird Painting, Artistic Beauty