Author(s)

Kankan Zhang

Corresponding Author

Kankan Zhang

ABSTRACT

Film, a little attention for Staatliches Bauhaus Weimar, is whereas valued by its Hungary master-artist László Moholy-Nagy, who is both socially critical and historically awake, to bear his light display and as much his new concept of the organic man. His predictions about film, and in general, media art, during his stays in Weimar Germany and later the US exhibit as much conciseness and insightfulness as in most Bauhaus compendiums is still witnessing its embodiment and extension in the Digital age. With Moholy-Nagy, we can answer the question classic-what is cinema-differently.

KEYWORDS

Bauhaus, László Moholy-Nagy, cinematic experimentation, art history, intermediality