Author(s)

Jiang Shanshan

Corresponding Author

Jiang Shanshan

ABSTRACT

This paper attempts to restore the requirements of decorative sound, singing voice part, voice position, rhythm processing and body posture in the early 17th century Italian song from the theoretical perspective of the "authentic performance" rising in the sixties of the last century, aiming to find a specific performance style from history and produce certain guiding significance for the current vocal music teaching or for singers provide a choice.

KEYWORDS

17th century, Italian songs, Authentic performance