Cognitive Philosophy under the Influence of Confucianism, Taoism and the Cultural Traditions of the Times: Taking Xu Wei's Dialectical Self-Cognition as an Example
DOI: 10.23977/phij.2023.020123 | Downloads: 6 | Views: 264
Author(s)
Wang Puzhi 1
Affiliation(s)
1 School of Art and Archaeology, Zhejiang University, Hangzhou, China
Corresponding Author
Wang PuzhiABSTRACT
Xu Wei was a famous thinker, poet, and artist in the Ming Dynasty of China. Since Yang Ke, who was one of the "Ten Sons of Yuezhong" together with Xu Wei, was a student of Wang Yangming, and the three of them were from Shaoxing, Xu Wei also became a follower of Wang Yangming's "Xin Xue" thought. Xu Wei integrated many traditional Chinese philosophical thoughts from Wang Yangming into his poetry, literature and paintings, leaving behind many ideological treasures. However, there is a very strange phenomenon in the study of Xu Wei's philosophical thoughts, that is, the evaluation of Xu Wei's works by later generations is very different from the evaluation of Xu Wei's works when he was alive. Through the analysis of this special phenomenon, this article enters Xu Wei's dialectical self-cognition world. Taking the case of Xu Wei as an example, we form an objective philosophical analysis of personal cognition under the joint influence of Chinese Confucian and Taoist cultural traditions and the ethos of the times.
KEYWORDS
Xu Wei, Cultural traditions, Personal cognition, TimesCITE THIS PAPER
Wang Puzhi, Cognitive Philosophy under the Influence of Confucianism, Taoism and the Cultural Traditions of the Times: Taking Xu Wei's Dialectical Self-Cognition as an Example. Philosophy Journal (2023) Vol. 2: 136-140. DOI: http://dx.doi.org/10.23977/phij.2023.020123.
REFERENCES
[1] Xu Wei: Xu Wei. Collection [M]. Beijing: Zhonghua Book Company, 1983.
[2] Ma Hong: Xu Wei's "My Caligraphy is First" Conjecture [J]. Calligraphy Art, 1996(1): 23-24.
[3] Zhang Xiaoli: A Small Study on Xu Wei's Painting Time [J]. Forbidden City, 2010(2): 30-33.
[4] Sun Xiaolu: On the Formal Differences between the Wu School of Painting and the Songjiang School of Painting in the Ming Dynasty [D]. Zhejiang University, 2011: 3.
[5] [Ming Dynasty] Huang Ruheng: Yulin Collection [M]. 1624(3): 318.
[6] Liu Yulong, Zhang Wenqing: The Historical Construction of Xu Wei's Status in Painting History [J]. Art, 2020(12): 93-99.
Downloads: | 604 |
---|---|
Visits: | 19159 |
Sponsors, Associates, and Links
-
Journal of Language Testing & Assessment
-
Information and Knowledge Management
-
Military and Armament Science
-
Media and Communication Research
-
Journal of Human Movement Science
-
Art and Performance Letters
-
Lecture Notes on History
-
Lecture Notes on Language and Literature
-
Science of Law Journal
-
Journal of Political Science Research
-
Journal of Sociology and Ethnology
-
Advances in Broadcasting