Author(s)

Xindan Chen ¹

Affiliation(s)

¹ Guilin University of Technology, Nanning, Guangxi, 530004, China

Corresponding Author

Xindan Chen

ABSTRACT

The evolution of the festive attire tangible culture of Guangxi Su-Miao branch in China can be traced back to its philosophical foundation rooted in the concept of "the heaven is round and the earth is square", which is symbolized by the through-head shape of the clothing (known as Guangtou costume). This philosophy signifies the cyclical nature of time and space, where time continuously revolves, and space extends in all directions. The essence of time and space holds significant importance in both philosophy and cultural customs. In this regard, the Miao minority in China showcases a rich festive attire culture that beautifully integrates with the concept of time and space, solidifying its place as a testament to China's philosophical spirit during the "Axis Age." In exploring the intricate interplay between form and embellishment in China's Su-Miao clothing, a fascinating revelation emerges: the embodiment of a nation's festive attire tangible culture not only reflects the natural, historical, and cultural aspects of human existence but also encapsulates the essence of shaping of Su-Miao attire, the purposeful placement of decorations, and adherence to rules. Moreover, within the global context, the spatial and temporal dimensions of "Su-Miao Festive Attire" encompass the rich tapestry of Chinese national attire etiquette, as well as the inherent mental and cultural destiny woven into its fabric.

KEYWORDS

Miao festive attire, View of Time and Space, Round Heaven and Square Earth, Design Philosophy

CITE THIS PAPER

Xindan Chen, Study on the Tangible Cultural Characteristics of Su-Miao Costume in China. Journal of Sociology and Ethnology (2024) Vol. 6: 87-95. DOI: http://dx.doi.org/10.23977/jsoce.2024.060113.

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