Author(s)

Qin Xi ¹

Affiliation(s)

¹ Jiangsu Grand Theatre, Nanjing, Jiangsu, 210000, China

Corresponding Author

Qin Xi

ABSTRACT

Dance performance art primarily utilizes human movements to shape and present character portrayals. In live stage performances, makeup design and choreographic vocabulary can be employed to showcase both the inner and outer aspects of characters, thereby enhancing dancers' comprehensive skills. This paper elaborates on key factors influencing the effectiveness of character portrayal in dance performances. Through professional research and analysis, it systematically explores various techniques for creating compelling character images. These techniques include crafting unique dance scenarios that capture the essence of the narrative, scientifically utilizing props and costumes to enhance visual storytelling, strengthening personality development through nuanced movement patterns, refining makeup designs to reflect character traits, and exploring stage background elements to set the mood and context. By integrating these approaches, dancers can significantly improve their ability to create authentic character portrayals. Ultimately, this leads to more refined and impactful performances that deeply engage audiences and convey powerful emotional and narrative content.

KEYWORDS

Character Image Shaping; Dance Performance Art; Makeup and Modeling; Dance Situation

CITE THIS PAPER

Qin Xi, Research on the Technique of Figure Shaping in Dance Performance Art. Art and Performance Letters (2025) Vol. 6: 58-62. DOI: http://dx.doi.org/10.23977/artpl.2025.060308.

REFERENCES

[1] Farley K .Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation (review)[J].Theatre Journal, 2008, 59(4):690-691.
[2] Jaimovich J , Morand F .Shaping the biology of emotion: Emovere, an interactive performance[J].International Journal of Performance Arts & Digital Media, 2019, 15(1):35-52.
[3] Catalano, Elena. Shaping experience in dance: Perspectives on body–mind relationships in Odissi[J].Journal of Dance & Somatic Practices, 2014, 6(1):9-28.
[4] Fang L .To Experience the Charm of Dance between Existance and Nihility: Exemplified with Character Image Shaping in the Dance" Faraway from Home"[J].Journal of PLA Academy of Art, 2016, (01): 120-125.

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