Author(s)

Kun YANG

Corresponding Author

Kun YANG

ABSTRACT

Before the birth of Chinese musicology, the study of prehistoric Chinese music had its own nationality and particularity. In modern times, on the basis of the integration of traditional music, Chinese musicology studies have absorbed the excellent achievements of western musicology studies, making it a comprehensive musicology study different from western musicology studies. This paper reviews the prehistoric music and musicology of Chinese musicology to explore its unique development path.

KEYWORDS

Chinese musicology, National characteristics, Traditional music