Author(s)

Liding Zhang

Corresponding Author

Liding Zhang

ABSTRACT

Combining the events of Beijing’s Long in Sky Theater, this paper discusses how traditional Chinese shadow play can adapt to the contemporary market from three aspects, namely, materiality, stage innovation and cooperation with actors with disabilities. First, the materiality of the shadow show is supposed to be displayed to draw more attention since tangible objects are more appealing to audience. In other words, there is no way for traditional craftsmanship to be muted. Exhibitions held by Long In Sky is definitely a sound way for people to learn more about traditional Chinese puppets. Second, the theater has updated the stage and script design to fit the thinking and behavioral patterns of modern audiences, enabling them to watch the show patiently. The duration and themes of shadow play have been also updated with the latest popular stories in order to attract more young audiences. Lastly, cooperation with disabled people can not only facilitate the performance of shadow play, but also provide economic support to them. Compared to the average person, people with dwarfism are always deemed weak. In order to be supportive, Long In Sky has been offering innovative shadow play performance opportunities and training to the dwarfism people, which helps them to perform on the stage and enhances their income level. Needless to say, it is of great significance for traditional culture to adapt to modern society and stay visible. In this way Long In Sky has made an excellent example for other forms of art.

KEYWORDS

Shadow play, Long In Sky, Stage innovation, Dwarfism people