Education, Science, Technology, Innovation and Life
Open Access
Sign In

A Humorous Multimodal Study of the Movie "This is not What I Expected"

Download as PDF

DOI: 10.23977/artpl.2023.041210 | Downloads: 26 | Views: 326

Author(s)

Zhang Hui 1

Affiliation(s)

1 Nanjing Vocational University of Industry Technology, Nanjing, Jiangsu, 210000, China

Corresponding Author

Zhang Hui

ABSTRACT

Film, as a typical example of multimodal discourse analysis, is a blend of auditory and visual sense, through various means such as language, image, sound, movement and symbols of resources to bring the audience an audio-visual feast. Lu Jin, played by Takeshi Kanagi, represents the superior upper class, while Gu Shengnan, played by Zhou Dongyu, is the representative of the civilian class. Two people with different characters and classes fall in love with each other because of food, which produces scenes of joy that make people laugh. Based on the theory of multimodal discourse analysis and the theory of humor, this paper discusses the mechanism of humor in the movie "This is not what I expected" and analyzes the loving process between the hero and heroine from meeting, knowing, getting along with each other and falling in love. This paper also discusses the synergistic effect of different modalities in the film.

KEYWORDS

Humor, Multimodal, Complementarity, Intensification

CITE THIS PAPER

Zhang Hui, A Humorous Multimodal Study of the Movie "This is not What I Expected". Art and Performance Letters (2023) Vol. 4: 54-59. DOI: http://dx.doi.org/10.23977/artpl.2023.041210.

REFERENCES

[1] Tan Zheng, Xu Hongyu, Huang Zhaojie, "An Interview with Director Derek Hui: Live for Love and Love for Food", Film art, Vol 374, No. 3, pp.39-44, 2017.
[2] Zhang Delu, "Multimodal discourse theory and the application of media technology in foreign language teaching", Foreign language education, Vol 30, No. 4, pp.15-20, 2009.
[3] Gibbon, Dafydd, Inge Mertins& Roger K, Moore Handbook of Multimodal and Spoken Dialogue systems, Boston: Kluwer Academic Publishers, 2000.
[4] Zhu Yongsheng, "Theory and methodology of multimodal discourse analysis," Foreign language research, No.5, pp.82-86.2007.
[5] Schopenhauer, A. Die Welt als Wille und Vorstellung, Leipzig: Brockhaus, 1819.
[6] Freud, S, Jokes and Their Relation to the Unconscious, New York: Penguin, 1976.
[7] Raskin, V, Semantic Mechanisms of Humor, Berlin: Springer Netherlands, 1985.
[8] Grice, H. P. Logic and conversation [A].In P.Cole & J. L. Morgar (eds.).Syntax and Semantics3: Speech Acts [C]. New York: Academic Press, 1975.
[9] Austin, J. L, How to Do Things with Words, New York: Oxford University Press, 1962.
[10] Searle, J. R, Speech Acts: An Essay in the Philosophy of Language, Cambridge: Cambridge University Press, 1969.
[11] Sperber, D. & D. Wilson, Relevance and Cognition, Oxford: Blackwell. 1986/1995.
[12] Fauconnier, G. & M. Turner, "Conceptual integration and formal expression," Psychology Press, 10(3): pp. 183-204, 1995.
[13] Ritchie, G, Developing the incongruity-resolution theory[C]// Proceedings of the AISB 99 Symposium on Creative Language: Humor and Stories. Edinburgh: 78-85, 1999.
[14] Zhang Lixin, Affective Cognitive interaction model of visual and verbal humor: A functional cognitive study of multimodal humor, Nan Jing:Southeast University Press, 2012.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.