Author(s)

Lianlong Chen ¹

Affiliation(s)

¹ Xi'an Peihua University, Xi'an, Shananxi, 710125, China

Corresponding Author

Lianlong Chen

ABSTRACT

Chinese animated films adapted from mythic IP have received a good response in the current film industry market, and audiences of different ages have paid great attention to the theme of mythic IP adaptation, which has promoted the film production team to continue the second creation of mythic IP adaptation. Nezha is one of the most successful films in recent years, both at the box office and by word-of-mouth. Different from traditional animation dubbing, the voice actors (dubbing actors) in this film consciously internalize the demands of society and the audience into their own dubbing subject consciousness and narrative language trend. Their dubbing subject consciousness mainly includes subject consciousness, audience consciousness, dialect cognition, etc. Their narrative language specifically presents the colloquial trend of characters' language and the artistic conception of narrative language. The dubbing fusion of language and art in the film is of great significance to the theoretical exploration of dubbing research.

KEYWORDS

Film dubbing; Subject consciousness; Dialect cognition; Language tendency; Narrative language

CITE THIS PAPER

Lianlong Chen, Subject Consciousness and Language Trend of Voice Actors in the Film Nezha the Devil Comes Down. Art and Performance Letters (2024) Vol. 5: 47-52. DOI: http://dx.doi.org/10.23977/artpl.2024.050308.

REFERENCES

[1] Chen Lianlong. A Study on narration language dubbing in network movies: A case study of iQiyi's Three Kingdoms of Rock. Film Literature, 2018 (04).
[2] Wei Nanjiang. Film and Television Sound Modeling Art. Beijing: China Film Press, 2008.
[3] Chen Lianlong. Research on Film voice Modeling under the visual threshold of oral Communication -- A case study of White Deer Plain. Sichuan Drama, 2019 (02). 
[4] Sun Yuebin. Voice: Sun Yuebin's dubbing Theory and Practical skills. Beijing: Communication University of China Press, 2016. 
[5] Zhang Xiaoling. Broadcasting and Hosting Language Creation Course. Chongqing: Chongqing University Press, 2013.
[6] Luo Xiaosuo. Artistic Linguistics. Kunming: Yunnan People's Publishing House, 2014.
[7] Chen Lianlong. Research on the differences between animation dubbing and advertising dubbing. News Research Guide, 2017(12).

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