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Deconstruction and Reconstruction of Collage Art in Graphic Design from the Perspective of Deconstructionism

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DOI: 10.23977/artpl.2024.050310 | Downloads: 13 | Views: 215

Author(s)

Chen Liyin 1

Affiliation(s)

1 Department of Internet and New Media, South China Business College, Guangdong University of Foreign Studies, Guangzhou, China

Corresponding Author

Chen Liyin

ABSTRACT

Collage art was first proposed by Western Cubist artists in the early 20th century through the display of artistic techniques, which broke and innovated traditional aesthetic concepts and had a profound impact on the artistic expression forms and concepts of the 20th century. Among them, the core element of postmodern theory, deconstructionism, has gradually emerged in the development process of collage art. In the evolution of collage art, artists continue to deconstruct individuals into fragments and reconstruct and shape new elements. With the innovation and progress of modern technology, collage art has been applied to various fields. In graphic design, collage art also radiates its indispensable influence and charm. The deconstruction and reconstruction techniques of collage art provide new sources of inspiration and ideas for graphic design, breaking the traditional old model and promoting the continuous evolution and development of graphic design that combines tradition and innovation. Starting from deconstructionism, this article explores and analyzes the performance of collage art in the historical process, as well as the innovative application and methods of deconstruction and reconstruction in collage art in graphic design. Finally, it thinks about and explores the needs and contributions of collage art aesthetics to the future field of graphic design. 

KEYWORDS

Collage Art, Graphic Design, Deconstruction and Reconstruction, Collage Aesthetics

CITE THIS PAPER

Chen Liyin, Deconstruction and Reconstruction of Collage Art in Graphic Design from the Perspective of Deconstructionism. Art and Performance Letters (2024) Vol. 5: 62-68. DOI: http://dx.doi.org/10.23977/artpl.2024.050310.

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