Author(s)

Jingsheng Chi ¹

Affiliation(s)

¹ Central Academy of Fine Arts, Beijing, China

Corresponding Author

ABSTRACT

The diversity of contemporary painting language is inextricably linked to the theoretical study of aesthetic ontology, reflecting the multiple contexts in the development of contemporary art and the construction of aesthetics. In the context of constantly renewing and iterating aesthetic interests and value systems, the construction of the perception of beauty and value tendency is an important theoretical guidance for the creation of new forms of contemporary paintings. Therefore, this paper analyzes the basic problems of various confusing expressions in contemporary aesthetic ontology research, and tries to propose an ontological context for discussing aesthetic issues.

KEYWORDS

CITE THIS PAPER

Jingsheng Chi, Study of the Causes and Occurrences of Beauty. Art and Performance Letters (2024) Vol. 5: 69-73. DOI: http://dx.doi.org/10.23977/artpl.2024.050311.

REFERENCES

[1] Santayana, G. (2013) The Sense of Beauty. People's Publishing House, Beijing, 1. 
[2] Zehou, L. (2021) Four Essays on Aesthetics, Changjiang Literature and Art Press, Hubei, 6.
[3] Maslow, A. (2022) A Theory of Human Motivation, Grapevine India, 17.
[4] Lang, Y. (2010) Foundations of Aesthetic, Peking University Press, Beijing, 8. 
[5] Kant, I. (2015) Kritik der reinen Vernunft. Anaconda Verlag, German, 328-356. 
[6] Guangqian, Z. (2023) Discuss Beauty, Peking University Press, Beijing, 34-35.
[7] Xhignesse, M.A. (2023) Aesthetics: 50 Puzzles, Paradoxes, and Thought Experiments, Routledge, 27.
[8] Steven, M.C. (2020) Aesthetics: A Comprehensive Anthology, Wiley-Blackwell, 15.

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