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Richard Strauss's Mid-Period Art Songs "Ruhe, Meine Seele"

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DOI: 10.23977/artpl.2024.050417 | Downloads: 21 | Views: 489

Author(s)

Qi Huifang 1, Jiang Hao 2

Affiliation(s)

1 Guangzhou Vocational College of Technology & Business, Guangzhou, China
2 University of the Cordilleras, Baguio City, Philippines

Corresponding Author

Qi Huifang

ABSTRACT

Richard Strauss (1864-1949) was a prominent composer of the late German Romantic period, renowned for his over 200 art songs. His compositional career is divided into early, middle, and late periods, with the middle period (1891-1906) marking the peak of his art song creation, predominantly featuring themes of love and irony. "Ruhe, meine Seele" is the first of four songs in Strauss's opus 27, a representative work of his middle period, composed as a wedding gift for his wife Pauline. This opus showcases diverse love stories and styles. This study delves into the creative background, musical form, artistic characteristics, and vocal style of Opus 27, exploring how to better interpret the work and how it can enhance the artistic appreciation and expressive abilities of performers.

KEYWORDS

Richard Strauss; Ruhe; meine Seele; Art Song; Performance Practice

CITE THIS PAPER

Qi Huifang, Jiang Hao, Richard Strauss's Mid-Period Art Songs "Ruhe, Meine Seele" . Art and Performance Letters (2024) Vol. 5: 117-127. DOI: http://dx.doi.org/10.23977/artpl.2024.050417.

REFERENCES

[1] Zhao, Y. (2016). A Study on the Performance of Richard Strauss's Art Songs: Three Art Songs from Early, Middle, and Late Periods as Examples [D]. Wuhan: Wuhan Conservatory of Music.
[2] All music examples in this paper are cited from WWWIMSLP.COM.
[3] Guo, H. (2013). Analysis of Richard Strauss's Harmonic Techniques in Art Songs: A Case Study of "Nacht" and "Morgen" [J]. Music Space, 11, 100-101.
[4] Xu, Y. (2011). A Brief Discussion on the Artistic Features and Performance Treatment of Richard Strauss's Early Art Songs [D]. Shanghai Conservatory of Music.
[5] Lu, J. (2016). The Singing Characteristics of Richard Strauss's Early Art Songs [D]. Northeast Normal University.
[6] Li, C. (2002). The Style and Performance Techniques of German Art Songs [J]. Xinghai Conservatory of Music Journal, 62-64.
[7] Zhang, S. (2020). Musical Analysis and Performance Interpretation of Richard Strauss's "Ruhe, meine Seele" and "Morgen" [D]. Shandong University of Arts.
[8] Chen, S. (2015). Analysis and Performance of Richard Strauss's Four Songs OP.27 [D]. Central Conservatory of Music. 
[9] Huang, L. (2011). Analysis of Vocal Performance and Piano Accompaniment Musical Elements in Richard Strauss's "Morgen" [J]. Ge Hai, 2011-2013.

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