Blending and Interaction between Vocal Music Performance and Piano Education: Teaching Practice of Digitally Empowering International Students
DOI: 10.23977/artpl.2025.060320 | Downloads: 6 | Views: 131
Author(s)
Fangning Zhu 1, Xiangdong Liang 2
Affiliation(s)
1 Dept. of Graduate School, Daejin University, Pachon, Gyeonggi Province, South Korea
2 College of Humanities and Education, Liaodong University, Dandong, Liaoning, China
Corresponding Author
Xiangdong LiangABSTRACT
This paper focuses on the integration of vocal performance and piano education in the digital age, and focuses on exploring the practical path of music teaching for Korean international students in China. The research first analyzes the core value of vocal music performance in music education, and proposes to strengthen Korean students' cultural cognition and emotional resonance of China music with the help of digital tools. Secondly, it discusses the adaptive application of piano education in vocal performance, presupposes the accompaniment template of Chinese and Korean cultural integration, and realizes the synchronization of piano skill teaching and cultural transmission. Finally, taking the China folk song "Chinese Cabbage" as an example, the application of digital means in the whole teaching process is expounded in detail by using the digital music production software Songle, from the visual presentation of melody cultural differences to the integration of cross-cultural elements in piano accompaniment, and then to the precise guidance of vocal emotion expression. The research shows that the construction of an integrated vocal music teaching model with "vocal music culture as the core and digital technology as the bridge" can not only promote the deep interaction between vocal music performance and piano education, but also provide a cross-cultural teaching scheme that can be popularized for international music education, thus helping the exchange of music culture between China and South Korea.
KEYWORDS
Vocal Performance, Piano Education, Chinese and Korean Music Culture, Korean International Students Coming to China, SongleCITE THIS PAPER
Fangning Zhu, Xiangdong Liang, Blending and Interaction between Vocal Music Performance and Piano Education: Teaching Practice of Digitally Empowering International Students. Art and Performance Letters (2025) Vol. 6: 148-158. DOI: http://dx.doi.org/10.23977/artpl.2025.060320.
REFERENCES
[1] Lanlan Guo & Chenlu Xie. (2021). How project-based learning can empower the reform of music teaching in primary and secondary schools. Art Education, (04),54-57.
[2] Xiang Peng. (2025). Exploration and Practice of Digital Technology Empowering Piano Impromptu Accompaniment in Colleges and Universities. Music Education and Creation, (01),40-43.
[3] Dengfeng Xu. (2010). Research on Computer Aided System of Music Skills and New Mode of Digital Teaching. Art Hundred Schools (6), 4.
[4] Jiaxuan Guo, & Yang Wang. (2013). On the Computer Aided System of Musical Skills and the Research on the New Mode of Digital Teaching. Intelligence (18), 2.
[5] Xue Wang. (2013). Research on the Construction of General Music Curriculum for Foreign Students in Colleges and Universities. Research on Continuing Education (5), 2.
[6] Haixia Zhang. (2021). Investigation and Countermeasures on the Teaching of China Folk Songs in Art Colleges under the Background of Cross-cultural Communication —— Taking the Teaching of Foreign Students in Nanjing Art College as an Example. Art Evaluation (24), 4.
[7] Xiaozhen Chen. (2024). Copyright Protection of aigc Music in Art Crisis Theory and Industrial Development Theory. Cultural Industry (8):144-146.
[8] Goto, M., Yoshii, K., Fujihara, H., Mauch, M., & Nakano, T. (October 2011). Songle: Active Music Listening Network Service Based on User Contribution Improvement. In ISMIR (pages 311-316).
[9] Baili Wang. (2022). Analysis on the Integration of Piano Accompaniment and Vocal Music Singing. Art Evaluation, (16), 69-72.
[10] Yanzhuo Zou. (2015). Integration of folk songs and artistic songs —— On the creative analysis and artistic treatment of Chinese Cabbage. (Journal of Shenyang Conservatory of Music), 33(02),175-179.
[11] Yang Yan. (2014). Comparison of different creative styles and singing characteristics of the song Arirang. Journal of Huaihai Institute of Technology (Humanities and Social Sciences Edition), 12(08),65-67.
[12] Ke Li. (2023). The Creation of Drama Situation in Vocal Music Performance-Comment on "Drama Situation: How to Perform and Sing Immersively". China Pedagogy Journal (3), 142-144.
[13] Fang Zhang. On the flexible application of piano improvisation in college vocal music teaching [J]. Northern Music, 2012,(02):113-114.
[14] Kehui Liu. The application of joint teaching mode of piano and vocal music [J]. Art Grand View, 2023, (16):118-120.
[15] Jie Guo. (2006). The performance function of piano accompaniment in vocal music. Journal of Xinghai Conservatory of Music, (04),90-92.
[16] Jiangzhao Ye. (2024). Innovative exploration on the compilation method of guzheng gayageum ensemble. yellow river of the song, (13),34-37.
| Downloads: | 25139 |
|---|---|
| Visits: | 934887 |
Sponsors, Associates, and Links
-
Journal of Language Testing & Assessment
-
Information and Knowledge Management
-
Military and Armament Science
-
Media and Communication Research
-
Journal of Human Movement Science
-
Lecture Notes on History
-
Lecture Notes on Language and Literature
-
Philosophy Journal
-
Science of Law Journal
-
Journal of Political Science Research
-
Journal of Sociology and Ethnology
-
Advances in Broadcasting

Download as PDF