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A Study on Ancient Chinese Painting and Calligraphy Papers and Analytical Techniques for Modern Conservation Papers

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DOI: 10.23977/infkm.2025.060205 | Downloads: 0 | Views: 81

Author(s)

Li Xiaolou 1, Gao Junhan 2, Xin Qing 2

Affiliation(s)

1 Department of Conservation and Restoration,The Palace Museum, Beijing, 100006, China
2 College of Elite Engineers for Cultural Heritage, Beijing Union University, Beijing, 100191, China

Corresponding Author

Gao Junhan

ABSTRACT

This paper examines the materials and techniques of paper used in ancient Chinese painting and calligraphy, alongside modern analytical methods for conservation papers. From the refined papermaking of the Ming and Qing imperial workshops to contemporary restoration science, paper has remained central to artistic creation and preservation. Traditional mounting emphasized matching paper properties to artworks, while modern conservation applies material analysis to evaluate physical, chemical, and optical performance. By integrating historical craftsmanship with scientific testing, this study outlines the evolution from experiential practice to standardized conservation, providing a foundation for data-based restoration and long-term preservation.

KEYWORDS

Ancient Chinese Paper; Painting and Calligraphy; Conservation Paper; Paper Analysis; Restoration Science

CITE THIS PAPER

Li Xiaolou, Gao Junhan, Xin Qing, A Study on Ancient Chinese Painting and Calligraphy Papers and Analytical Techniques for Modern Conservation Papers. Information and Knowledge Management (2025) Vol. 6: 30-33. DOI: http://dx.doi.org/10.23977/infkm.2025.060205.

REFERENCES

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