Author(s)

Shuai Wang ¹

Affiliation(s)

¹ Yancheng Teachers University, Yancheng, Jiangsu Province, China

Corresponding Author

Shuai Wang

ABSTRACT

We often think of recording as a simple matter, but Eugène Atget’s visual talent prevents him from being trapped in the quagmire of the subject and the object. This does not mean that his photos are completely objective. Eugène Atget's real excellence lies not only in his documentary, but also in his unparalleled intuition and fusion of documentary. No matter where the photography goes, we can always look back and see Eugène Atget's shadow.

KEYWORDS

Documentary photography, Vision, Eugène atget

CITE THIS PAPER

Shuai Wang. On the Realistic Significance of Documentary Photography from EugÈNe Atget's Paris Series. Advances in Vocational and Technical Education (2021) 3: 5-8. DOI: http://dx.doi.org/10.23977/avte.2021.030102.

REFERENCES

[1] Ning Liu. Eugène Atget and documentary photography [J]. Openings, 12 (z2), pp.60-62, 2014.
[2] Bolong Liuzhang. Eugène Atget's return to the mortal [J]. Digital Camera, 03, pp.16-17, 2013.
[3] Yan Gao. Watching is viewing-Photographic thoughts initiated by Eugène Atget [J]. Chinese Photography, 11, pp.45-46, 2016.
[4] Jianguo Feng. Hundreds of years’ feast [J]. Tourism World, 05, pp.98-103, 2014.

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