Author(s)

Zhao Ying-na ¹

Affiliation(s)

¹ Yunnan Art University Wenhua College, Kunming 650000, China

Corresponding Author

ABSTRACT

Kunming is the political, economic and cultural center of Yunnan Province. With the integration of customs and cultures of different ethnic groups in this urban area, the local folk music system has developed its distinctive musical context in terms of musical patterns, emotions or notions. In this paper, four pieces of "affectionate ballads" in Wuhua District, Kunming are taken as the example to explore the musical context that is unique in Kunming ballads. By analyzing the musical context, the paper attempts to interpret the musical functions and values contained in these "affectionate ballads" of Kunming's folk music system.

KEYWORDS

CITE THIS PAPER

Zhao Ying-na, Analysis on the Context of Four Pieces of "Affectionate Ballads" in Wuhua District, Kunming City. Art and Performance Letters (2021) Vol. 2: 79-84. DOI: http://dx.doi.org/10.23977/artpl.2021.020616.

REFERENCES

[1] Wang Xixin (2003). Ethnic Folk Music in Kunming,, Yunnan Fine Arts Publishing House, pp:6.
[2] Wang Xixin (2003). Ethnic Folk Music in Kunming,, Yunnan Fine Arts Publishing House, pp:6.
[3] Yang Fang (1986).Watching the Huashu Bay from the Other Side of the River, Kunming Ballad, 100 Pieces of Love Songs Sung by People of Different Ethnicities in Yunnan, Compiled by Shanghai Literature and Art Publishing House,pp:25.
[4] Wang Xixin (2003). Ethnic Folk Music in Kunming,, Yunnan Fine Arts Publishing House, pp:18-20.
[5] Xie Jiaxing(2006).Context of Music – A Vision of Music Hermeneutics, Shanghai Conservatory of Music Press,pp:219.
[6] Wang Xixin (2003). Ethnic Folk Music in Kunming,, Yunnan Fine Arts Publishing House, pp:19-20.
[7] Xie Jiaxing(2006).Context of Music – A Vision of Music Hermeneutics, Shanghai Conservatory of Music Press,pp:219.
[8] Xie Jiaxing(2006).Context of Music – A Vision of Music Hermeneutics, Shanghai Conservatory of Music Press,pp:254.

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