Author(s)

Ma Ting ^1,2

Affiliation(s)

¹ Jingzhong Normal Junior College, Jinzhong, Shanxi, China
² International College, Krirk University, Bang Khen District, Bangkok, Thailand

Corresponding Author

Ma Ting

ABSTRACT

Chopin, the great Polish composer and "piano poet", produced many piano works during the Romantic Period in Europe. Twenty-four Preludes (op. 28) are called "the universe of the Bagatelle music" since Chopin's preludes played a role in linking the past and the future, and Bach can be seen in Chopin's preludes played a role in linking the past and the future, and Bach can be seen in the Twenty-four Preludes, while in Debussy and Rachmaninoff's preludes, you can see the reflection of Chopin's musical form. This article analyses the harmony, composition and technique of the Twenty-fourPreludes-No.1 in C Major; No.2 in A Minor; No.4 in E Minor, devoting further studies to the charm of Chopin's music.

KEYWORDS

Prelude, harmony, tune structure, compositional technique

CITE THIS PAPER

Ma Ting, Chopin Twenty-four Preludes In No.1 in C Major; No.2 in A Minor; No.3 in E Minor. Art and Performance Letters (2021) 2: 1-6. DOI: http://dx.doi.org/10.23977/artpl.2021.020701.

REFERENCES

[1] Yao Henglu, China, Analysis of Twentieth Century Composition Techniques, Shanghai Music Publishing House, February, 2001.
[2] Regina Smenyanka Poland, How to Play Chopin, China Federation of Literary Press, translated by Liang Quanbing and Yao Manhua, January, 2004.
[3] Wu Shih-kai, China, The Art of Harmony, Shanghai Music Publishing House, October, 2004.
[4] Wang Xu China "A two-dimensional mapping hierarchy analysis of Chopin's Preludes", Art Education, 2018, Vol. 22, No. 100-101.
[5] Zhang Hui,China, "The creation of a two-dimensional analysis of musical levels", Art Education, 2018, Vol.18, No.58-60.
[6] He Tianyuan, China, "An analysis of the music and performance techniques of Chopin's Twenty-four preludes", Master's thesis, Xi'an Conservatory of Music Academy, 2020.
[7] Yang Fengxiang, China, "A Study of the Harmonic Technique in Chopin's Prelude No. 4", Comedy World (Second Half), 2020, Vol. 03, No. 26-27.
[8] Zou Runnan, China, " An Analysis of the First Twelve Preludes in Chopin's Twenty-four Preludes and Composition Techniques", Northern Music, 2018, Vol.03, No.82, 143.
[9] Xiao Yao, China, "An analysis of the development of the piano prelude genre" , Chinese Literary Artists, 2020, Vol.03, No.32-33.
[10] Ling Gan, China, "An Exploration of Chopin's Twenty-four Preludes as a Whole", Northern Music ,2019,Vol.7, No.78-80.

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