Chopin Twenty-four Preludes In No.1 in C Major; No.2 in A Minor; No.3 in E Minor
DOI: 10.23977/artpl.2021.020701 | Downloads: 5 | Views: 405
Ma Ting 1,2
1 Jingzhong Normal Junior College, Jinzhong, Shanxi, China
2 International College, Krirk University, Bang Khen District, Bangkok, Thailand
Corresponding AuthorMa Ting
Chopin, the great Polish composer and "piano poet", produced many piano works during the Romantic Period in Europe. Twenty-four Preludes (op. 28) are called "the universe of the Bagatelle music" since Chopin's preludes played a role in linking the past and the future, and Bach can be seen in Chopin's preludes played a role in linking the past and the future, and Bach can be seen in the Twenty-four Preludes, while in Debussy and Rachmaninoff's preludes, you can see the reflection of Chopin's musical form. This article analyses the harmony, composition and technique of the Twenty-fourPreludes-No.1 in C Major; No.2 in A Minor; No.4 in E Minor, devoting further studies to the charm of Chopin's music.
KEYWORDSPrelude, harmony, tune structure, compositional technique
CITE THIS PAPER
Ma Ting, Chopin Twenty-four Preludes In No.1 in C Major; No.2 in A Minor; No.3 in E Minor. Art and Performance Letters (2021) 2: 1-6. DOI: http://dx.doi.org/10.23977/artpl.2021.020701.
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