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Chopin Twenty-four Preludes In No.1 in C Major; No.2 in A Minor; No.3 in E Minor

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DOI: 10.23977/artpl.2021.020701 | Downloads: 5 | Views: 405

Author(s)

Ma Ting 1,2

Affiliation(s)

1 Jingzhong Normal Junior College, Jinzhong, Shanxi, China
2 International College, Krirk University, Bang Khen District, Bangkok, Thailand

Corresponding Author

Ma Ting

ABSTRACT

Chopin, the great Polish composer and "piano poet", produced many piano works during the Romantic Period in Europe. Twenty-four Preludes (op. 28) are called "the universe of the Bagatelle music" since Chopin's preludes played a role in linking the past and the future, and Bach can be seen in Chopin's preludes played a role in linking the past and the future, and Bach can be seen in the Twenty-four Preludes, while in Debussy and Rachmaninoff's preludes, you can see the reflection of Chopin's musical form. This article analyses the harmony, composition and technique of the Twenty-fourPreludes-No.1 in C Major; No.2 in A Minor; No.4 in E Minor, devoting further studies to the charm of Chopin's music.

KEYWORDS

Prelude, harmony, tune structure, compositional technique

CITE THIS PAPER

Ma Ting, Chopin Twenty-four Preludes In No.1 in C Major; No.2 in A Minor; No.3 in E Minor. Art and Performance Letters (2021) 2: 1-6. DOI: http://dx.doi.org/10.23977/artpl.2021.020701.

REFERENCES

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