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Exploration and Countermeasure of Psychological Tension Factors of Vocal Music Performers in Stage Performance

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DOI: 10.23977/artpl.2021.020703 | Downloads: 6 | Views: 485


Li Deyong 1,2


1 Shanxi Vocational College of Art, Shanxi, China
2 International College, Krirk University, Thailand

Corresponding Author

Li Deyong


Vocal music performance is a very important major in many stage performing arts. Vocal music performers usually need professional study and stage practice with many years to stand out. However, many outstanding artistic talents in vocal music performance have often poor performance in the process of stage performance or major competitions. The reason is that from the presentation, the performance of vocal music performers on the stage requires not only superb professional and technical level, but also super psychological quality. However, how to cultivate psychological quality, is it a person's innate ability or the day after tomorrow? Can a vocal music performer have a super "big the art of power" and be able to present stage performances perfectly? This paper will analyze and discuss a series of psychological factors affecting the stage performance of vocal music performers, so as to provide vocal music performers with strong support except vocal singing techniques, and obtain a more perfect stage performance.


Vocal music performer, Psychological quality, Psychological regulation


Li Deyong, Exploration and Countermeasure of Psychological Tension Factors of Vocal Music Performers in Stage Performance. Art and Performance Letters (2021) 2: 13-18. DOI:


[1] Deng Yaping Renmin. 2021. "The art of power" University of China Press .
[2] Anders Ericsson Anders Erickson. 2021. "Deliberate Practice" Robert Pool Robert Poole translated by Wang Zhenglin Machinery Industry Press.
[3] Zeng Xiaoan.n .d. "Stage Psychological Adjustment of National Singers" Journal "Research on National Art".
[4] Seng Wenli. 2014. "On Psychological Adjustment of Vocal Music Stage Performance" From the Journal "Grand View of Music", No.12, 2014.

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