Education, Science, Technology, Innovation and Life
Open Access
Sign In

The Aesthetic Features of Fifth Erhu Rhapsody

Download as PDF

DOI: 10.23977/artpl.2021.020710 | Downloads: 11 | Views: 809

Author(s)

Wang Juanjuan 1, Li Jia 2

Affiliation(s)

1 College of Music, Qingdao University, Qingdao, Shandong, China
2 College of Music, Shanxi Normal University, Taiyuan, Shanxi, China

Corresponding Author

Li Jia

ABSTRACT

Wang Jianmin's five "Erhu Rhapsody" are milestone works in contemporary erhu creation. He incorporates the creative concept of "the combination of Chinese and Western, and the appreciation of elegance and popular" into modern erhu works, making his works have a high degree of artistic and academic value. With his profound melody creation skills, he created beautiful melodies, which won unanimous praise and high praise from the audience in aesthetic appreciation. His works draw lessons from Western composing techniques and genres and make innovations on this basis, incorporating national styles and structural elements of national music, making national music available to the world in a brand-new way. Mr. Wang Jianmin strives for perfection, perseverance, and breakthrough in his creative career. He has a good grasp of the degree of innovation in all angles of the work, and strives to promote skills with music, designing the difficulty and skills of the work from the perspective of the composer, and then practicing it through performance, Promotion, announced the development of erhu performance and the discipline of erhu. This article will conduct a systematic aesthetic analysis of the five "Erhu Rhapsody" from the perspective of music aesthetics, the logical thinking mode of music philosophy, and take "The Fifth Erhu Rhapsody" as an example, to explore the aesthetic characteristics of Mr. Wang Jianmin's five Rhapsody.

KEYWORDS

Aesthetics, Performance Aesthetics, Erhu Rhapsody, Wang Jianmin

CITE THIS PAPER

Wang Juanjuan, Li Jia, The Aesthetic Features of Fifth Erhu Rhapsody. Art and Performance Letters (2021) 2: 75-81. DOI: http://dx.doi.org/10.23977/artpl.2021.020710.

REFERENCES

[1] Qiao Jianzhong. (2000). A musical instrument and a century ─ ─ A century-old view of Erhu art. Music Research, 2000(01), 36-44.
[2] Qiao Jianzhong. (2017). Tradition, modernity and others-Deng Jiandong's piano sound. People's Music: Critic Edition, 2017 (08), 4-8.
[3] Qiao Jianzhong. (2011). On the modern spirit of erhu art. People's Music: Critic Edition, 2011 (05), 46-49, 95-96.
[4] Wang Jianmin. (2014). Composing new national rhymes and expressing Chinese feelings——Review and reflection on the creation of "The First Erhu Rhapsody". People's Music, 2014 (03), 31-34.
[5] Wang Jianmin. (2003). Originated from folk root system tradition-"The Second Erhu Rhapsody" creation notes. People's Music, 2003(09), 2-5.
[6] Wang Jianmin. (2000). The study of melody. People's Music, 2000(2), 13-17.
[7] Wang Jianmin. (1999). On melody progression-a series of papers on melody. Journal of Nanjing University of the Arts (Music and Performance Edition), 1999(01), 3-12.
[8] Kong Zhixuan. (2020). A contemporary hymn from the grassland-Wang Jianmin's "The Fifth Erhu Rhapsody" Creation Comment. People's Music, 2020(6).
[9] Cheng Lin. (2019, November 25). Looking for "Crazy" Forward--A Comment on Wang Jianmin's Erhu Rhapsody. China Art News, No. 005, Hundred Schools of Art.
[10] Zhu Weiting. (2017). An analysis of the creative characteristics of Wang Jianmin's "The Second Erhu Rhapsody". Music creation, 2017(2), 129-131.
[11] Chen Chunyuan. (2017). Wang Jianmin's "Erhu Rhapsody Series" fingering application analysis and related thinking. People's Music, 2017(10), 38-41.
[12] Ru Yi. (2007). On the significance of Wang Jianmin's erhu works to the development of erhu art. (Doctoral dissertation, Shanghai Conservatory of Music).
[13] Ru Yi. (2008). From Wang Jianmin's Erhu Rhapsody to see his creative ideas and musical characteristics. Chinese Music, 2008(03), 219-221.
[14] Ru Yi. (2007). On the significance of Wang Jianmin's erhu works to the development of erhu art. Shanghai: Shanghai Conservatory of Music Press.
[15] Ru Yi. (2008). Wang Jianmin's Erhu Rhapsody Creation and Performance Analysis——Also on the innovative development of contemporary Erhu performance technology. Huang Zhong-Journal of Wuhan Conservatory of Music, 2008(04), 162-169.
[16] Zhang Yue. (2019, December 13). From "one madness" to "five madness", enhance the quality of erhu and show Chinese style. China Art News.
[17] Zhang Lei. Thoughts on the artistic characteristics and second creation of Wang Jianmin's "The Fourth Erhu Rhapsody". (Doctoral dissertation, China Conservatory of Music).
[18] Qian Renping, Tang Rong. (2013). Chinese breath, characteristics of the times-Wang Jianmin's "Erhu Rhapsody" creation. Chinese Music, 2013(003), 57-60.
[19] Qi Ping. (2005). Music performance art: theory and practice. Beijing: People's Music Publishing House.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.