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A Five-Wave Model Evolution of Philippine Piano Music Literature

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DOI: 10.23977/artpl.2021.020713 | Downloads: 6 | Views: 894

Author(s)

Han Yaqin 1

Affiliation(s)

1 College of Music, Shanxi University, Taiyuan, China

Corresponding Author

Han Yaqin

ABSTRACT

The purpose of this research is to learn about the development of Philippine piano music literature from its inception.

KEYWORDS

Philippine Piano Music, Filipino composer, Indigenous songs, Waves of Stylistic Development

CITE THIS PAPER

Han Yaqin, A Five-Wave Model Evolution of Philippine Piano Music Literature. Art and Performance Letters (2021) 2: 94-98. DOI: http://dx.doi.org/10.23977/artpl.2021.020713.

REFERENCES

[1] Agoncillo, Teodoro A. and M. C. Guerrero. History of the Filipino people. R. P. Garcia. Quezon City: Publishing Company, 1973.
[2] Berger, Kenneth. "Filipino Musicians", Unpublished typewritten biographical compilation and alphabetical listing of Filipino musicians. Evansville, Indiana, 1948.
[3] Echols, John M. The background of literature in Southeast Asia. Six Perspectives on the Philippines. Manila: Bookmark, Inc., 1971
[4] Eugenio, Damiana L. Philippine Folk Literature. Quezon City: The University of the Philippines Folklorists Inc, 1982.
[5] Maceda, Jose M. “Music in the Philippines in the Nineteenth-century" in Musikkulturen Asiens und Afrikas im 19. Jahrhunderts. Regesburg: Gustav Bosse, 1973.
[6] Santos, Ramon P. Constructing a National Identity through Music. Journal of Philippine Arts and Culture, 2001 p. 21-31. The music of Asean. Manila: General ed. 1995.
[7] Quirino, C. (1995). Who’s who in Philippine history. Manila: Tahanan Books. 
[8] Tiongson, N. (Ed.) (1994). CCP encyclopedia of Philippine Art (Vol. 6: Philippine music). Manila: Cultural Center of the Philippines.

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