Author(s)

Yating Zhang ¹

Affiliation(s)

¹ Shandong University of Engineering and Technology, Jinnan, Shandong, 250200, China

Corresponding Author

ABSTRACT

Since the new century, Mongolian movies have been attracting attention. It shows the unique scenery of Inner Mongolia to the audience with the grassland as the background. Dilapidated impression. In this wind and rain of creation, Mongolian movies have emerged batch after batch of distinctive images of mothers, and the mothers in the images are endowed with kind, tough, and generous personality characteristics. Since the new century, the image of mother in Mongolian movies is the most prominent. Unlike the background of the times, other types of movies have gradually become the label of "new" images as women's consciousness awakens. In the movie of the family, the image of the mother is still reflected in the image of gentleness, warmth, kindness and generosity. At this time, the mother is not only the mother, but also the spokesperson of the vast grassland. She symbolizes the spirit of the grassland. They are not bound and expressed in difficulties. With amazing tenacity, he can find the right path at the critical moment. With her distinctive style and characteristics, the film has become a unique benchmark for the new era. Because of these vivid and agile "mother images", the Mongolian movies in the new century have changed the public's inherent perception of Mongolian movies. , Gradually integrate with the times, and retain the characteristics of more delicate and unique fragrance in the hearts of the public. The image of mother in Mongolian movies is independent and full, and it has long become an indispensable part of Mongolian movies.

KEYWORDS

CITE THIS PAPER

Yating Zhang, Study on the Evolution of the Image of Mother in Chinese Mongolian Movies Since the New Century. Art and Performance Letters (2022) Vol. 3: 65-67. DOI: http://dx.doi.org/10.23977/artpl.2022.030313.

REFERENCES

[1] Liang Chunqing. Research on Female Images in Minority Films in the New Century[D]. South-Central University for Nationalities, 2016.
[2] Zhang Mengou. Analysis of Mother Image in Mongolian Movies Since the New Century [D]. Inner Mongolia University, 2013.
[3] Su Guanyuan. Glory, fission and rebirth [D]. Shanxi Normal University, 2019.
[4] Jia Mengying. Research on Female Images in Mongolian Films Since the 21st Century [D]. Inner Mongolia University, 2018.

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