The Construction of "Landscape" and National Identity in the Film "the Daughters of Fisherman" in the Enemy-Occupied Area
DOI: 10.23977/artpl.2022.030314 | Downloads: 11 | Views: 761
Author(s)
Manrong Li 1
Affiliation(s)
1 Sichuan University, Chengdu, Sichuan, China
Corresponding Author
Manrong LiABSTRACT
As a film born in the enemy-occupied area, Bu Wancang's "The Daughters of Fisherman" constructively recreated an ideal home in the overcast enemy-occupied area with the natural scenery of Taihu Lake. The scenery of the lake and mountains and the harmonious life of fishermen together constitute a unique "landscape" in the film. By analyzing the "landscape" in the film, the author of this paper explored the expression of Bu Wancang's experience of survival in the enemy-occupied area and national identity in the film, and thus explored the possibility and path of understanding the emotional truth and national identity in the films of the enemy-occupied area through the "landscape" through the dialogue of culture and history.
KEYWORDS
Enemy-occupied area, Bu wancang, "the daughters of fisherman", LandscapeCITE THIS PAPER
Manrong Li, The Construction of "Landscape" and National Identity in the Film "the Daughters of Fisherman" in the Enemy-Occupied Area. Art and Performance Letters (2022) Vol. 3: 68-72. DOI: http://dx.doi.org/10.23977/artpl.2022.030314.
REFERENCES
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[2] Wangli Huang, Ping Leng. A Study of Bu Wancang's films during the fall of the "lonely island" [J]. New Films, 04 (05), pp.46-52, 2015.
[3] Compiled by Lianggong Sun. A record of atrocities committed by the Japanese army in the fallen areas [M]. Beijing: China Literature and History Press, 2016, pp.98.
[4] Shengsui He, Maiqing Chen. The history that should not be forgotten: the war factual record of the second: the painful history of the fall (Book 1) [M]. Shanghai: Fudan University Press, 199, pp. 45.
[5] Zengyu Pang. Places and sceneries south of the Yangtze River as depicted in the imperial context and in films of colonialism [J]. Journal of Xiamen University (Arts & Social Sciences), 04 (02), pp.61-67, 2021.
[6] Xiaoli Liu. Poetics and politics in the Manchukuo's natural landscape narrative--A study of Shan Ding's novel The Green Valley [J]. Journal of Shenyang Normal University (Social Science Edition), 42 (02), pp.45-51, 2018.
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