Author(s)

Zhong Zhi ¹

Affiliation(s)

¹ Sichuan University of Media and Communications, Sichuan, Chengdu, 611745, China

Corresponding Author

Zhong Zhi

ABSTRACT

Tibetan director Wanma Tsetan's film Talo is a continuation of the Tibetan Homeland trilogy. The four films focus on the identity perception, emotional perception and aesthetic communication of the entire Tibetan nation in the context of globalization from the perspective of the psychological structure and internal self of the cultural inheritors. In the modernization process of cultural convergence and integration, the minority film directors represented by Wanma Tsetan continue to pay attention to the identity and cultural anxiety of ethnic identity groups, bringing us questions worth studying: How should minority groups adapt to this big trend? How should minority cultures renew and integrate to survive?

KEYWORDS

cultural integration, minority, image, globalization context

CITE THIS PAPER

Zhong Zhi, Self-Decomposition and Reconstruction in Multi-ethnic Cultural Integration. Art and Performance Letters (2022) Vol. 3: 73-77. DOI: http://dx.doi.org/10.23977/artpl.2022.030315.

REFERENCES

[1] Zhang Yan. On the aesthetics of crisis in Tarot [J]. A new film. 2019(06)
[2] Li Ling. An analysis of the narrative features in Tarot [J]. Theatre house. 2018(23)
[3] You Pan. Talo: a new narrative perspective of Tibetan culture films [J]. Western radio and television. 2019(18)
[4] Li Jianhua. Tarot: a lonely fugitive [J]. Journal of Nanchang Institute of education. 2017(06)
[5] Liu Xiaohua. An analysis of the creative characteristics of the film Tarot [J]. audio-visual. 2017(05)
[6] Ye Jun. "Tarot" is a non deceptive film [J]. Film world. 2017(01)
[7] Zhang Lin. Tarot: the dilemma of ethnic minorities' real identity [J]. A new film. 2017(02)

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