Author(s)

Xiangchen Fan ¹, Yuxin Zhang ²

Affiliation(s)

¹ City University of Macau, Macau, China
² Shanghai Theatre Academy, Shanghai, China

Corresponding Author

Xiangchen Fan

ABSTRACT

Since its birth, the stage art represented by theatrical performance has been far more dependent on presentation forms and dissemination media than other kinds of artistic expressions. Since the 20th century, with the rapid development of science and technology and new media, the digital construction and dissemination of stage art has gradually become a new trend in the development of performing arts. Especially in the context of the covid-19 epidemic, contemporary theatre is not only a creative space for directors and actors, but also a comprehensive creative space that integrates lighting, materials, sound effects and other elements, and the role of technology in stimulating the vitality of stage art in the post-epidemic era is increasingly prominent. In this paper, we will start from the history of digital development of stage art and combine it with actual cases, to analyse its future development trend.

KEYWORDS

Stage Art, Digital Technology, Digital Communication

CITE THIS PAPER

Xiangchen Fan, Yuxin Zhang, Building the Illusion of Reality: Digital Construction and Communication of Stage Art. Art and Performance Letters (2022) Vol. 3: 48-53. DOI: http://dx.doi.org/10.23977/artpl.2022.030410.

REFERENCES

[1] Xu Xiao Feng. (2010) The digital road of stage art [J]. Public Art, 50-55.
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[3]Du Jin. Digital Stage Technology and Cross-Strait Drama [J]. Relations across the Straits, 2011(09):56-57.
[4] Yang Jing. (2020) Out of the black box - the breakthrough of live performance art in the post-epidemic era [J]. Shanghai Art Review, (4).
[5] Wang Yishuo. (2020) Feasibility analysis of online performance normalization operation in the post-epidemic era [J]. Cultural Industry, No. 169(24):55-56.
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