Author(s)

Risu Na ^1,2, Buqi Na ^3,4

Affiliation(s)

¹ International Academy of Arts, Jilin International Studies University, Changchun, Jilin, 130117, China
² School of Chinese Language and Literature, Northeast Normal University, Changchun, Jilin, 130024, China
³ Material Purchase and Supply Center, Affiliated Hospital of Inner Mongolia Minzu University, Tongliao, Inner Mongolia, 028000, China
⁴ Graduate School of Language and Culture, Graduate University of Mongolia, Ulaanbaatar, 999097-15141, Mongolia

Corresponding Author

Risu Na

ABSTRACT

The study of film is one of the most important research topics in modern media culture, ethnic minority film not only occupies an important position in the film art, but also occupies an important place in minority culture and prosperity for China's film industry as well as ethnic films ethnic cultural construction has very important significance.This paper selects the 1990s, since the late minority theme film as the main research object, for which the narrative culture reflected mainly in narrative strategy, narrative language and narrative theme that is, cultural representation of three aspects.In terms of the nature of the research, it is a cultural and strategic study based on the form study;In terms of research methods, it is a combination of narrative analysis and cultural analysis: For research purposes, analyses the marketization of films exist under the new system of the films, global and local, heterogeneous culture and the mass aesthetic, modern and traditional the universality of the cultural background, as the gap between the minority film in China, how to construct the narrative perspective with ethnic characteristics, And its cultural appeal, as well as the narrative skills adopted in the process of taking into account their own artistic aesthetic and market appeal, and the remaining regret problems. Finally, some suggestions for reference are put forward for these problems.

KEYWORDS

Ethnic Minority Films, Film Production, To Spread

CITE THIS PAPER

Risu Na, Buqi Na, Research on Narrative Characteristics of Chinese minority films. Art and Performance Letters (2022) Vol. 3: 73-77. DOI: http://dx.doi.org/10.23977/artpl.2022.030414.

REFERENCES

[1] Philip Smith, Translated by Zhang Kun. Cultural Theory: An Introduction, Beijing. The Commercial Press, 2008:255.
[2] Robert C. Allen, Douglas Gomerie, Translated by Li Xun, Film History: Theory and Practice, Beijing, China Film Press, 1997:47, 88, 106.
[3] Libes, Katz, Translated by Liu Zixiong. The Output of Meaning: A Cross-Cultural Interpretation of Dallas, Beijing, Huaxia Press, 2003:1-5.
[4] Li Suyuan. Theory and Practice of New Film History [J]. Contemporary Film, 2005 (1): 8.
[5] Alan, Gomery Film History: Theory and Practice. Reconstruction of Chinese Film History [M]. World Book Publishing Company Beijing Company, 2009.

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