The Negation of Negation - The Space-time Construction of the Schema in the Han Dynasty's Portrait Bricks
DOI: 10.23977/artpl.2023.040104 | Downloads: 14 | Views: 474
Author(s)
Meiting Wang 1
Affiliation(s)
1 Jingdezhen Ceramic University, Jingdezhen, China
Corresponding Author
Meiting WangABSTRACT
Han Dynasty portrait brick is an art between sculpture and painting. It is rich in content, wide in subject matter and diverse in composition, reflecting the aesthetic style of Han Dynasty art. The schema in the Han Dynasty bricks reflects the negation of negation in the construction of time and space, which is embodied in the negation of natural image in graphic design. In the pattern combination, it reflects the negation of a single perspective and the negation of the law of time and space. On the view of life and death, the negation of four-dimensional space-time. These negative, denied the original cognitive style, but reached a not "correct" wonderful, but also reflects the confidence of the Han Dynasty national culture.
KEYWORDS
Negation, Portrait Brick, Space-time ConstructionCITE THIS PAPER
Meiting Wang, The Negation of Negation - The Space-time Construction of the Schema in the Han Dynasty's Portrait Bricks. Art and Performance Letters (2023) Vol. 4: 18-22. DOI: http://dx.doi.org/10.23977/artpl.2023.040104.
REFERENCES
[1] Lang Ye. Outline of the History of Chinese Aesthetics [M]. Shanghai Renmin University Press, 2005.
[2] Yafeng Huang. Research on the Art of Han Stone Portrait Bricks [M]. China Social Science Press, 2011.
[3] Hong Li. Death and Rebirth: Tombs and Beliefs of the Han Dynasty [M]. Sichuan People's Publishing House, 2020.
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