The necessity of constructing Tibetan dance iconology
DOI: 10.23977/artpl.2023.040303 | Downloads: 18 | Views: 435
Author(s)
Chen Jiale 1
Affiliation(s)
1 Chinese National Academy of Arts, Beijing, China
Corresponding Author
Chen JialeABSTRACT
The most glorious era in the history of Tibetan dance in ancient times was the Tubo period, which left many precious dance images with Tibetan colors. Although there has been some attention paid to Tibetan dance images in current scholarship, these images have focused on the theme of "Fantan pipa" or on Dunhuang murals as the main focus, and more Tibetan dance images have not received much attention. Such as Tibetan thangka art, palace murals or some dance posture in Tibetan religious ceremony. The construction of Tibetan dance iconology is essential because it can promote the study of Tibetan dance education and Tibetan dance historiography.
KEYWORDS
Tibetan dance, iconology, Thangka art, the dance of Bon religionCITE THIS PAPER
Chen Jiale, The necessity of constructing Tibetan dance iconology. Art and Performance Letters (2023) Vol. 4: 11-15. DOI: http://dx.doi.org/10.23977/artpl.2023.040303.
REFERENCES
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[2] Feng Guang. A Study on the Aesthetic Characteristics and Application of Dunhuang Mogao Cave Guardian Deity Musical Dance Images in Dunhuang Dance: The Case of Jialing Pinga [J]. in Chinese Dance Studies, First Series, 2022(1):203-218.
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