Study on the Role of Modern Music Aesthetics in Vocal Art and the Path of Practice
DOI: 10.23977/artpl.2023.040305 | Downloads: 6 | Views: 347
Author(s)
Zhao Jianlei 1
Affiliation(s)
1 Daejin University, Seoul, South Korea, 11159
Corresponding Author
Zhao JianleiABSTRACT
Vocal art is an art form in which aesthetic consciousness and aesthetic foundations are concentrated. It is a powerful spiritual force that not only embodies the people's pursuit and aspiration for truth, goodness and beauty, but also harbours an extremely vital national spirit and quality. Modern music aesthetics, on the other hand, is a form of beauty that expresses itself in line with modern popular aesthetics through the cultural underpinnings and laws embedded in music. Therefore, this paper starts from the characteristics of modern music aesthetics in vocal art, explores the role of modern music aesthetics in vocal art, and proposes specific paths for the practice of modern music aesthetics in vocal art in order to truly enhance the charm of Chinese vocal artworks and vocal performances.
KEYWORDS
Vocal art; Modern music aesthetics; Role; PracticeCITE THIS PAPER
Zhao Jianlei, Study on the Role of Modern Music Aesthetics in Vocal Art and the Path of Practice. Art and Performance Letters (2023) Vol. 4: 20-24. DOI: http://dx.doi.org/10.23977/artpl.2023.040305.
REFERENCES
[1] Huang Jimin. Experimental discussion on the influence of modern music aesthetics on the art of vocal performance [J]. Northern Music, 2018, 38(06):229-230+250.
[2] Dong Xiaoman. The inspiration of modern music aesthetics research on the art of vocal performance [J]. Tomorrow's Style, 2020(03):115+117.
[3] Zhang Hao. Exploration of modern music aesthetics into vocal performance art [J]. Journal of Qiqihar University (Philosophy and Social Science Edition), 2020(12):129-131.
[4] Zhao Qiuwen, Zhao Shiyuan. Exploration of modern music aesthetics into vocal performance art [J].
[5] Wang Jing. Analysis of the role of modern music aesthetics for vocal performance art [J]. The House of Drama, 2022(30):79-81.
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