Symbols, Artistic Creation and Aesthetic Appreciation: on Susanne K. Langer's Art Semiotics
DOI: 10.23977/artpl.2023.040311 | Downloads: 37 | Views: 568
Author(s)
Yueting Huang 1
Affiliation(s)
1 School of Humanities, Tongji University, Shanghai, China
Corresponding Author
Yueting HuangABSTRACT
Semiotics is a general science that studies various symbols and their communication functions. The American philosopher Susanne K. Langer has had a significant impact on the art field by applying semiotics to the study of art. Her art semiotics involves important artistic propositions in artistic creation and aesthetic appreciation, providing profound and innovative interpretations of certain issues in the arts. Her contributions to the art world have been far-reaching. This paper discusses Langer's art semiotics and its significance, focusing on three aspects: the basic concepts of symbols, how to create art symbols, and how to understand art symbols.
KEYWORDS
Art Symbols, Artistic Creation, Aesthetic Appreciation, Art Semiotics, Susanne K. LangerCITE THIS PAPER
Yueting Huang, Symbols, Artistic Creation and Aesthetic Appreciation: on Susanne K. Langer's Art Semiotics. Art and Performance Letters (2023) Vol. 4: 56-62. DOI: http://dx.doi.org/10.23977/artpl.2023.040311.
REFERENCES
[1] Susanne K. Langer. (1986) Feeling and Form. Beijing: China Social Sciences Press.
[2] Niu Hongbao. (2002) Western Modern Aesthetics. Shanghai: Shanghai People's Publishing House, 324-325.
[3] Wu Feng. (2002) Art semiotic aesthetics, Research on Susanne K. Langer's Aesthetic Thoughts. Beijing: Beijing Broadcasting Institute Press.
[4] Chen Chaonan. (1983) Susanne K. Langer on the Nature of Art. Academic Monthly, 6, 77-80.
[5] Hugh Honour, John Fleming. (2014) World Art History. Beijing: Beijing Fine Arts Photography Press, 781.
[6] Fan Di’an. (2018) Central Academy of Fine Arts Museum Collection Series, Foreign Art Volume. Shanghai: Shanghai Painting & Calligraphy Publishing House, 210.
[7] Jiang Feng. (1994) Susanne K. Langer's Theory of Artistic Creation. Journal of Nanjing Normal University (Social Science Edition), 1, 88-93.
[8] Yu Yanqing. (2017) Body, Sports Competition and Television Communication. Beijing: China Press of Broadcasting and Television, 187.
[9] Wang Jiehong, Zhang Qin. (2020) Introduction to Art. Wuhan: Wuhan University Press, 33.
[10] Yi Changda. (1988) Chinese and Foreign Writers and Artists on Artistic Subject. Changchun: Jilin University Press, 779-780.
[11] Susanne K. Langer. (2006) Problems of Art. Nanjing: Nanjing Press.
[12] Xia Zhengnong. (1989) Western Academic Trends Review (Part I). Shanghai: Shanghai Xuelin Publishing House, 213-214.
Downloads: | 9967 |
---|---|
Visits: | 308145 |
Sponsors, Associates, and Links
-
Journal of Language Testing & Assessment
-
Information and Knowledge Management
-
Military and Armament Science
-
Media and Communication Research
-
Journal of Human Movement Science
-
Lecture Notes on History
-
Lecture Notes on Language and Literature
-
Philosophy Journal
-
Science of Law Journal
-
Journal of Political Science Research
-
Journal of Sociology and Ethnology
-
Advances in Broadcasting