Author(s)

Minyu Liang ¹

Affiliation(s)

¹ College of Music, Guangxi Arts University, Nanning, 530022, China

Corresponding Author

Minyu Liang

ABSTRACT

Guangxi ethnic folk music, with its unique musical expression - singing in the field, language of life, and symbols of ethnic life, expresses the feelings and lifestyle of people in ethnic areas. With the development of the times, national folk music also needs to inject new music language and new music elements on the basis of tradition, and make contemporary interpretation of national music language from three aspects of music ontology, performance techniques and music performance.

KEYWORDS

National Music Language; Contemporary Interpretation; Piano Solo

CITE THIS PAPER

Minyu Liang, Contemporary Interpretation of the Music Language of Guangxi Artistic Nationalities—Taking the Piano Solo "Eight Tones Playing Drum" as an Example. Art and Performance Letters (2023) Vol. 4: 41-45. DOI: http://dx.doi.org/10.23977/artpl.2023.040408.

REFERENCES

[1] Fan Z. Theory and method of Chinese pentatonic mode harmony [M]. Shanghai: Shanghai Conservatory of Music Press 2003.
[2] Huang L. Basis of piano performance [M]. Xi'an: Xi'an Jiaotong University Press 2016.
[3] Yang X. et al. Guangxi Bayin [M]. Beijing: Beijing Science and Technology Press 2013.

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