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  4. Vol 4, Issue 11, 2023

The use of light art in film and television shooting

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DOI: 10.23977/mediacr.2023.041101 | Downloads: 37 | Views: 354

Author(s)

Minxian Luo 1

Affiliation(s)

1 Guangzhou Donghua Vocation College, Guangzhou, Guangdong, 510540, China

Corresponding Author

Minxian Luo

ABSTRACT

Light plays a crucial role in enhancing the effectiveness and quality of composition in film and television works. It serves as a significant reference for setting up the camera orientation and determining the visual tone of the picture. The use of light art is characterized by its complexity and diversity, which, when scientifically employed, strengthens the overall three-dimensional sense and texture of film and television works. Therefore, it is imperative for photographers to possess a deep understanding and comprehensive mastery of the common types of lighting techniques, as the scientific and standardized use of light art significantly enhances the audience's appreciation of its charm. This article aims to underscore the importance of light art in film and television shooting, briefly explain the common types of lighting, and delve into an in-depth discussion of the utilization of light art in film and television shooting for reference.

KEYWORDS

Film and television shooting; light art; use of paths

CITE THIS PAPER

Minxian Luo, The use of light art in film and television shooting. Media and Communication Research (2023) Vol. 4: 1-5. DOI: http://dx.doi.org/10.23977/mediacr.2023.041101.

REFERENCES

[1] Li Saifei. Research and Application of Lighting Art in Film and Television Shooting--Taking The Godfather and Farewell My Concubine as Examples [J]. Film Review, 2022, (07):105-108.
[2] Liu Chenghua. The Scientific Use of Light Art in Film and Television Shooting [J]. Daguan (Forum), 2021, (03):69-70.
[3] Shang Zheng. The use of light art in film and television shooting [J]. House of theatre, 2019, (34):99.
[4] Yin Linlin. Talking about the artistic use of light in film and television shooting [J]. Senka (next), 2018, (09):131.

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