Author(s)

Hongbao Guo ¹

Affiliation(s)

¹ Nanjing University of Aeronautics and Astronautics, Nanjing, China

Corresponding Author

ABSTRACT

Cursive writing is convenient and smooth, with strong artistry and inclusiveness. Since its inception, it has been widely concerned by different social strata and spread rapidly. Through the deconstruction and reorganization of the elements of the cursive script, the author summarizes the common principles, and completes the discussion on the form and technique of the cursive script. This paper starts with the writing method, takes points, lines, surfaces and other elements as the research objects, analyzes and refines, and proposes that in the aspect of structure, attention should be paid to factors such as space and reality, interspersed avoidance and other factors. Then, from the perspective of the comparison of word spacing and line spacing, the basic rules of composition and the relationship between the change of ink method and the use of pen are expounded. Finally, the rhythm changes of cursive script under different combinations are illustrated with examples. Calligraphy is a highly condensed materialized form of traditional Chinese culture, and it is the representative of imagery art. Cursive writing is convenient and smooth, with strong artistry and inclusiveness. Since its inception, it has been widely concerned by different social strata and spread rapidly. However, with the development of science and technology, the strokes of the keyboard gradually replaced the writing of Chinese characters, and people's writing consciousness gradually disappeared, and the ideographic effect of Chinese characters also disappeared. Calligraphy is facing a serious test. The author wants to summarize a targeted approach to cursive script through his own writing and teaching experience.

KEYWORDS

CITE THIS PAPER

Hongbao Guo, Deconstruction, Reorganization, Fusion and Derivation - A Talk on Introduction to Cursive Script. Lecture Notes on Language and Literature (2022) Vol. 5: 37-43. DOI: http://dx.doi.org/10.23977/langl.2022.050306.

REFERENCES

[1] Wo Xinghua's "New Theory of Calligraphy Techniques" Hunan Fine Arts Publishing House, August 2009, first edition, page 2.
[2] Pan Yungao, "Selected Papers on Calligraphy in Past Dynasties—Song Dynasty Calligraphy", Hunan Fine Arts Publishing House, January 2004, 1st edition, p. 235.
[3] Pan Yungao, "Selected Papers on Calligraphy in Past Dynasties—On Calligraphy in the Ming Dynasty" Hunan Fine Arts Publishing House, January 2004, 1st edition, p. 331.
[4] Pan Yungao, "Selected Papers on Calligraphy in Past Dynasties—On Calligraphy in the Late Qing Dynasty" Hunan Fine Arts Publishing House, January 2004, 1st Edition, Page 113.

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