Education, Science, Technology, Innovation and Life
Open Access
Sign In

Meaning Production and Identity Interconstruction: A Study of Cultural Memory in the Program "National Treasures"

Download as PDF

DOI: 10.23977/mediacr.2023.040101 | Downloads: 14 | Views: 447

Author(s)

Yali Wang 1, Xueyun Yang 1

Affiliation(s)

1 College of Social and Political Science, Anhui University, Hefei, Anhui, China

Corresponding Author

Yali Wang

ABSTRACT

"To strengthen the great unity of the Chinese nation, the long-term and fundamental thing is to enhance cultural identity", and cultural relics, as the condensation of cultural memory, are the factual basis and important source to promote cultural identity. The program "National Treasures" has enhanced the cultural identity of all ethnic groups with its extremely strong content substance and novel program format. Based on the theoretical basis of cultural memory reproduction and cultural identity, the study analyzes the logic of meaning reproduction of the program "National Treasure" from figurative to abstract, guardianship and inheritance, parallelism of multiple subjects, and interplay of interaction and exchange, and analyzes how the program realizes the mutual construction of cultural memory and cultural identity from two dimensions of identity strengthening path and memory transmission process.

KEYWORDS

Cultural memory, meaning reproduction, cultural identity

CITE THIS PAPER

Yali Wang, Xueyun Yang, Meaning Production and Identity Interconstruction: A Study of Cultural Memory in the Program "National Treasures". Media and Communication Research (2023) Vol. 4: 1-9. DOI: http://dx.doi.org/10.23977/mediacr.2023.040101.

REFERENCES

[1] Harald Welzer. Social memory: history, memory, transmission. Ji Bin, Wang Lijun, Bai Xikun, translator. Beijing: Peking University Press, 2007: 286.
[2] Suo Yanhua, Yang Chuanting. The Mediated Reproduction of Cultural Heritage in the New Media Era. Journal of Huaqiao University (Philosophy and Social Science Edition), 2020(04):142-151.
[3] Zhao Jingrong. Ethical interpretation and sociological analysis of memory crisis. Cultural Studies, 2013(03):6-15.
[4] Liu Yan. The Power of National Identity: On the Reconstruction of Collective Memory by Mass Media. Journal of East China Normal University (Philosophy and Social Science Edition), 2009,41(06):77-81.
[5] Li Ruijin. Continuously broaden the path of "making cultural relics live". [2022-8-1]. http: // www. qstheory. cn/ qshyjx/ 2022-05/17/c_1128658348.htm.
[6] Aleida Asman. Memories of space: forms and transformations of cultural memory. Pan Lu, translator. Beijing: Beijing University Press, 2016.
[7] Ding Huadong. On the basic structure of social memory reproduction. Ideological Front, 2019,45(02):121-128.
[8] Liu Guoqiang. An exploration of the ways in which contemporary media shape collective memory. Journal of Social Science, 2009(02):70-74.
[9] Ding Huadong. On Modern Media and Social Memory Reproduction. Academic, 2015(09):93-100.
[10] Hobsbawm Lange. The Invention of Tradition. Gu Hang, Pang Guanqun, translator. Nanjing: Translating Forest Press, 2004.
[11] Tan Yufei. Research on the construction of traditional cultural communication rituals in new media fields - taking "I am repairing cultural relics in the Forbidden City" as an example. Journal of Chinese Radio and Television, 2017(09):112-114.
[12] Li Youmei. Social identity: an analysis of a structural perspective. Shanghai: Shanghai People's Publishing House, 2007.
[13] Hu Jie. Foundation, generation and construction from social memory to social identity. Tianjin Social Science, 2020(05):151-156.
[14] Sun Juxia. Experimental discussion on ethnic groups and ethnic identity. Journal of Zhongshan University (Social Science Edition), 1998(02):24-31.
[15] Maurice Habwachs. On Collective Memory. Guo Jinhua, Bi Ran. Shanghai: Shanghai People's Publishing House, 2002: 335.
[16] Qian Licheng, Zhang Qifei. Social Memory Research: Western context, Chinese picture and methodological practice. Sociological Research, 2015,30(06):215-237.
[17] Chen X, Peng G. Cultural memory and historicism. Hangzhou: Zhejiang University Press, 2014.
[18] You Fei. The concept of directing art. Beijing: Beijing University Press, 2011.
[19] Randall Collins. Interactive ritual chains. Lin Juren et al. Beijing: The Commercial Press, 2009.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.