Exploration of Epiphany in Joyce's Novels
DOI: 10.23977/langl.2023.061007 | Downloads: 18 | Views: 604
Author(s)
Jinghong Guo 1
Affiliation(s)
1 Department of Fundamental Courses, Suzhou Vocational Health College, No. 28 Kehua Road, Suzhou, China
Corresponding Author
Jinghong GuoABSTRACT
Epiphany is originally a religious term. James Joyce introduced the term into the field of literature for the first time to explain the aesthetic process in artistic creation. Joyce's truly creative theoretical viewpoint should be his theory of spiritual epiphany. Epiphany is not only a sudden revelation of the underlying meaning of an individual's experience or a situation, but also the revelation of the true meaning of life as a whole, and it is a pure reflection of the truth, the good and the beautiful. In Joyce's novels, he pursued the reform and innovation of art form, and boldly adjusted and rebuilt the inherent literary order of the West. Actually Joyce's artistic innovation reflects the conflict and integration of literary tradition and revolution in the early 20th century.
KEYWORDS
Epiphany, symbol, aesthetic principles, innovation, novelCITE THIS PAPER
Jinghong Guo, Exploration of Epiphany in Joyce's Novels. Lecture Notes on Language and Literature (2023) Vol. 6: 47-52. DOI: http://dx.doi.org/10.23977/langl.2023.061007.
REFERENCES
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[3] James Joyce. (1963) Stephen Hero New York: New Directions, 211.
[4] Jiaqi Qian. (1997). Ulysses: Directly Alluding the Reality in a Meaningful Form. Contemporary Foreign Literature, 166.
[5] Mason E. & Ellman R. (1959). Selected Writing of James Joyce Criticism. Viking Press, 100.
[6] Schwarz Daniel, R. (1987). Reading Joyce's Ulysses. New York: St. Martin's Press, 24, 26.
[7] Rongying Qu. (2007). A Brief Introduction to Joyce's Epiphany. Journal of Liaoning Normal University, 106.
[8] Noon William. T. (1957). Joyce and Aquinas. New Haven: Yale UP, 73.
[9] Joyce James. (1992) Ulysses. London: Penguin Books Ltd, 26, 80, 519, 50.
[10] Goldberg Herbert. (1940).James Joyce: A Definitive Biography. New York: Rinehart, 170.
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