An Exploration of the Female Image in the "Jiangnan Trilogy"—Taking "Flower" and "Utopia" as an Example
DOI: 10.23977/langl.2023.061101 | Downloads: 19 | Views: 787
Author(s)
Yijie Gao 1, Yajun Li 1
Affiliation(s)
1 Shaanxi University of Chinese Medicine, Xianyang, Shaanxi, 712046, China
Corresponding Author
Yajun LiABSTRACT
In "Jiangnan Trilogy", Ge Fei takes the Zhejiang Meicheng family as the background and writes the story of five generations who fight for the "peach blossom garden" in their hearts in different identities aat different times. On the one hand, in the process of continuous resistance and struggle, they show the deep metamorphosis of women's spirit, and at the same time, they are all failed idealists full of tragedy, in this level of shaping, Grieve uses a lot of imagery to imply the final ending, and this paper focuses on exploring the "flower" and "utopia" imagery and women's writing. This paper focuses on the combination of "flower" and "utopia" imagery in women's writing and then explores the deeper connotations.
KEYWORDS
Ge Fei; Jiangnan trilogy; Female imageryCITE THIS PAPER
Yijie Gao, Yajun Li, An Exploration of the Female Image in the "Jiangnan Trilogy"—Taking "Flower" and "Utopia" as an Example. Lecture Notes on Language and Literature (2023) Vol. 6: 1-5. DOI: http://dx.doi.org/10.23977/langl.2023.061101.
REFERENCES
[1] Ge Fei. The Feeling of the Rainy Season [M]. Beijing: New World Press, 1994:231.
[2] Lu Wenbin. The Realistic Appeal of Historical Imagination: The Inheritance and Transformation of the Historical View of Chinese Contemporary Novels [M]. Nanchang: Baohuazhou Literary Publishing House, 2003: 255.
[3] Wang Xiaoyan. Study on female consciousness in Ge Fei's "Jiangnan trilogy"[J]. Masterpiece Appreciation, 2019 (35): 122-123.
[4] Pan Yitong. Analyzing the Beauty of Imagery in "Jiangnan Trilogy" from the Perspective of Aesthetic Empathy [J]. Present and Future Literature Creation, 2020(05):24-26.
[5] Rui Wenjuan. The Utopia of "Turning Inward"--Reading Ge Fei's Jiangnan Trilogy [J]. Masterpiece Appreciation, 2022(33): 132-136.
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